Design is the silent ambassador of any idea. My interest in branding lies in the challenge of reduction, distilling complex concepts into simple, memorable visual marks. I focus on geometry, negative space, and typography to create identities that are seen and understood. It is an exercise in clarity, ensuring that a project's intent is communicated instantly through its form.
If engineering is about making things work, industrial design is about making them livable. I explore the intersection of ergonomics, aesthetics, and utility, aiming to create objects that feel inevitable in the user's hand. This discipline allows me to step away from the code and circuits to focus on the tactile reality of a product, ensuring that the physical interaction is as refined as the technology inside.
My approach to music is built on a foundation of professional audio work. While I play guitar, bass, drums, and piano, my true passion is the architecture of sound, and the process of recording, mixing, and layering individual tracks to build a cohesive whole. It is a technical art form where frequency, dynamics, and timing converge to recreate the energy of a full live performance in a digital environment.
What began as a necessity (documenting robots and circuit boards for technical reports) evolved into a study of light and composition. My lens has since turned outward to the natural world, capturing everything from wildlife behavior to the stillness of deep-space astronomy. It is a practice of patience and observation, finding the chaotic beauty in nature that contrasts with the ordered logic of engineering.
Gear: Nikon D5600 | 35mm f/1.8G | 18-140mm f/3.5-5.6G | 70-300mm f/4.5-6.3G